Audio Assist

5 – 7 years of network level broadcast production experience as an Audio Assist (A2) for live/taped studio and/or remote (on location) productions
Knowledgeable of current industry standards
In-depth knowledge of the basic types of microphones used for studio and remote production
Proficient on all microphone setups and applications, including hiding lavaliers and professional protocol when dressing microphones
In-depth knowledge of RF systems including but not limited to frequency spectrum and antenna placement/distribution
In-depth knowledge of audio signal flow including but not limited to, network ports, patch panels and audio routing
Knowledge of Intercom systems for studio and remote production
Must have strong leadership skills as well as excellent communication skills with the ability to communicate in a clear and concise manner
Must take ownership and accountability for assigned projects
Must be able to handle the pressures of live programming and limited time constraints
Able to work flexible, non-traditional hours including weekends and holidays

Works with the show Audio Engineer (A1) to ensure proper equipment is set up and prepared to technically accomplish assigned production (microphones, antennas, belt packs, etc.)
Collaborates with the show Audio Engineer (A1) to fax all microphones, IFBs and COMMS channels prior to show and troubleshoot any issues
Properly dresses the microphone and IFB for Productions as needed
During live/taped productions, monitors the audio signal flow, battery levels and frequencies for microphones, IFBs and COMMs channels
Check, monitor and adjust RF frequencies to ensure proper operation during live/taped productions
During live/taped productions being ready to adjust microphones, IFBs, belt packs or any other piece of audio equipment as necessary or assigned by the Audio Engineer (A1)
Maintain a clean and orderly workstation before and during Productions. After the Production is complete, resetting the workspace to its normal state
Tracks audio inventory to insure it is maintained, accounted for, and stored when not in use
Document all specific show needs for all Productions assigned
Works closely with the Audio Engineers (A1), Technical Operations and Production (BEST) Engineering to identify, troubleshoot and solve technical problems with production audio equipment. Making sure each problem is resolved to completion.